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Achill Fence

Barbara Rae

£2,000Or own this artwork from £200 a month with interest free finance. Select Own Art at checkout.

Achill Fence, limited edition silkscreen print with glazes by contemporary abstract artist Barbara Rae

 

Edition of 125

 

Size: 76cm (h) x 75cm (w)

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Shipping

UK unframed orders delivered within 7-10 days and framed within 21 days. International orders are despatched within 7-10 days. Please note, we only ship framed art within the UK.

Returns

If you’re not happy with your artwork, you can return it to us in original condition and packaging within 14 days for a refund. Please note, framed orders are custom-made and cannot be returned. Read our returns policy here.

Framing

Try ‘Our Pick’ for our curator’s framing recommendation. Our framing is handmade in London – learn more about framing here.

Interest Free Finance

Buy with Own Art and spread the cost over 10 months interest-free. To borrow from £100 to £2500 opt for PaybyFinance at checkout. Learn more here.

Achill Fence, limited edition silkscreen print with glazes by contemporary abstract artist Barbara Rae

 

Edition of 125

 

Size: 76cm (h) x 75cm (w)

Shipping

UK unframed orders delivered within 7-10 days and framed within 21 days. International orders are despatched within 7-10 days. Please note, we only ship framed art within the UK.

Returns

If you’re not happy with your artwork, you can return it to us in original condition and packaging within 14 days for a refund. Please note, framed orders are custom-made and cannot be returned. Read our returns policy here.

Framing

Try ‘Our Pick’ for our curator’s framing recommendation. Our framing is handmade in London – learn more about framing here.

Interest Free Finance

Buy with Own Art and spread the cost over 10 months interest-free. To borrow from £100 to £2500 opt for PaybyFinance at checkout. Learn more here.

Barbara Rae

Barbara Rae's paintings combine the influence of landscape and travel with painterly abstraction. When Rae was awarded a travel scholarship in 1966, it unleashed a love of travel that remains with her. Although she does not like the term landscape painter, the importance of place is very apparent in her works; in particular the human traces and patterns of history that are left on a landscape. Rae's printmaking has been integral to her artistic activity since her student days. The way she conceives and works on her monoprints, screenprints and etchings complements and informs her approach to painting. The discipline imposed by these media and the unique opportunities offered by them create a set of possibilities, which stimulate her vision of the world, whether she is drawing, painting, making prints, or simply observing.